Grebbin can be reached at email@example.com.
<p class="p1">I somewhat dreaded Sunday afternoons
At Emerson, we often seek empowerment for ourselves and others through the work we create.
For a lot of us, after disappointment, there was fear.
Trump certainly is consistent—consistently foolish.
We must fight to ensure that underrepresented people in this country not only speak but are heard.
However, when faced with the question of who’s driving us, we should also consider who isn’t.
Emerson College exists as a grand ballet of dancers—dancers who dance; dancers who sing; and dancers who write, make movies, report stories, and make media and art. But who for?
The Experience Open Mic mixed poetry, dance, music, photography, sketches, and audience participation into a flavorful show sure to quench any artist’s thirst for new inspiration.
On a clear Wednesday afternoon, sunbeams and students flit through the air in an office on the eighth floor of the Walker Building. The office belongs to Gregory Payne, chair of the communication studies department, and on one of his walls, there’s a 1968 campaign poster that reads “the youth of our nation are the clearest mirror of our performance.”
Love Sonnets: Things Women Say, a collection of monologues written by playwright Charles Mee, explores the inner workings of 12 different women through a feminist lens. The staged reading was hosted by Mercutio Troupe in Tufte’s Huret and Spector Gallery last weekend.
Whatever Times, a new “digital space” created by class of ‘15 alumni Leigha Morris and Lucianna Coccia is a new site for creatives with places to go, people to see, and perspectives to change.
Yet the years of our lives that we place the most value on seem to be getting shorter by the minute.
Hate Crimes in the Heartland, a historical documentary released in 2014, depicts two hate crimes in Tulsa, Oklahoma—the 1921 race riots and the 2012 Good Friday shootings—and their impact on American society. Bavand Karim, an assistant professor in the visual and media arts department, was the cinematographer, associate producer, and co-writer of the award-winning project.
They described their music as a mixed bag, with shreds of folk, pop, alternative, queercore—an LGBTQ offshoot of punk—and cheesiness all intermingled.
The 48 Hour Film Festival: where a loaf of bread, a parasite, and a materialistic antagonist can live together in creative harmony.
This is where we first learn who the protagonist will be and who will earn most of our empathy—Westerners.
Underneath the powerful pulse of pop hits playing, the thundering stomp of combat boots, and the crisp clap of tap shoes, the only other noise in the Greene Theater last Saturday night was “YAS WERK!”—the distinct battlecry of dancing superheroes and daunting supervillians.
The first edition of the body-positive zine was released earlier this month, featuring various student submissions of poetry, prose, and photography.
The Heauxnas Brothers, Killer Kyle, Mitchell Van Dike, Phoebe Saint-Jefferson, and Cash all competed for the crown. After host Lucille welcomed them onto the stage, contestants were judged on their choreography, lip sync abilities, and the originality of their performance.
When historical and religious figures such as Alexander Hamilton, Joan of Arc, and even Jesus Christ, return to walk amongst the citizens of Selbyville, the town finds solace in the most unexpected way. A story of racism, rape, retaliation, and rights, “O Beautiful” brings to light much of the controversy America faces today.
“I have a sort of darkly comedic view of the world,” Clarke said. “Things spiral out of control and there are always people who always try to keep it all together. Those are the characters I write about.”
The timer beeps and the poets drop their pens. The distinct odor of Corn Nuts and anticipation lingers in the air. Looking around, the writers wonder: Who will establish order? All students in attendance of Poem’s first ever official meeting would soon learn that in the world of flash poetry, creativity trumps conventionality.