Spelling Bee is heartwarming C-O-M-E-D-Y
Jeannette Pomerance
Issue date: 10/26/06 Section: Arts and Entertainment
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Now Spelling Bee, which has already pleased audiences in New York, Chicago and San Francisco, has begun an extended run at the Wilbur Theatre. Jon B. Platt, presenting producer of the show, could not have chosen a better venue than the Wilbur. The theatre's casual atmosphere, emphasized by the student-made posters and art projects pinned to the walls, suggests a middle-school auditorium instead of a Broadway-style theatre. In a press release, Platt admitted he chose the Wilbur because of its intimate size and atmosphere, which draws the audience into this very cozy, participation-driven production.
Spelling Bee premiered in 2004 and in 2005 joined the movement to bring humor back to Broadway, accompanying other new musicals such as Hairspray and Avenue Q, as well as the more recent Monty Python's Spamalot and The Drowsy Chaperone. But Spelling Bee, a witty mix of adolescent anguish and Fosse-esque hip swivels, may be the first of its genre to successfully incorporate a message as well as junior high potty humor.
Part of Spelling Bee's success is that it depends heavily on audience participation, forcing viewers to become emotionally involved whether they want to or not. Many dramatic conventions are cast aside. The characters never break the fourth wall and acknowledge that they are in a play, but rather they draw the audience into the show, where they are cast as attendees at the bee.
Characters make safety and courtesy announcements directly to the audience, address them from stage, and even enter the aisles to bid other contestants goodbye or throw out candy.
Additionally, audience members who arrive at the Wilbur early and complete a questionnaire may find themselves even more involved in the production.
The play itself takes place over the course of the bee, with interludes into the memories and fantasies of each character as they take their turn at the microphone.
2008 Woodie Awards

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