Among the daily flow of traffic pouring through Boylston and Charles Streets stands a statue of Edgar Allen Poe in mid-stride, manuscripts flying out of his briefcase and fallen leaves circling his frame. The literary icon returned to his birthplace earlier this month to celebrate Boston’s recent designation as the country’s first Literary Cultural District.
At a glance, Middletown looks to be the epitome of average. But the play is an exploration of the time between youth and old age, and the distinctive struggles and triumphs that come with it.
By the end of a vacation at Disney World, many visitors are familiar with Cinderella’s iconic castle, but fewer know about the complex web of underground tunnels to be explored underneath it.
The most pleasurable reading experience in my recent memory was when, for the third time, I pored over the entirety of “Notes toward a Supreme Fiction,” one of Wallace Stevens’ major long poems
Julia Cseko described her new mural on the bottom floor of Walker Building, which colorfully features the words of Canadian philosopher Marshall McLuhan, as “a way to share relevant literature without being annoying.” The mural, A Coney Island of the Mind—Marshall McLuhan, was one of three murals to be painted on campus over the past few months.
Senior Amber Layne’s experience with Soul Sessions, a citywide performance series, began in June. Brian Washburn, a fellow dancer in the Boston-based Urbanity Dance Company, asked her to collaborate with him in a hip-hop dance for a Soul Sessions event.
Traces is a kaleidoscope of various circus and street performance elements that revolve around one central question: if the world were to end tomorrow, what would you leave behind?
For 13 years, Emerson’s Los Angeles program has offered students a chance to show their work at an annual showcase. This year, however, organizers hope to reinvent the film screening experience with the first-ever Emerson LA Film Festival.
Mozart’s 'Don Giovanni' is one of the most performed operas in history, from its 1787 debut to Austrian royalty to Peter Sellars’ racially-charged adaptation. Perhaps its most recent excerpted performance was by Steven Martin, Emerson’s director of off-campus student services.
A question from an Emerson student summed up actor Jonathan Fried’s weeklong residency at the college: “How do you sustain yourself in a career in the theater when so much of what you have to do is a series of brutal indignities?”
Modern filmmaking has been defined by extremes. Today, movies are either self-indulgent, money-grabbing blockbusters, or pretentious, award-baiting art house films.
Sometimes the best superhero is actually a supervillain.
Paul Turano was at the site of Henry David Thoreau’s cabin at Walden Pond in Concord, Massachusetts, when the Emerson professor noticed something that would inspire a seven-year long project: a pile of rocks. On the rocks were inspirational quotes and comments inspired by Thoreau’s ideas.
For some students completing their BFA is a dream come true. For Emerson alum Noah Aust, it’s always been a nightmare.
Twenty-one years ago, two women stepped into ZSpace, an artists’ studio that David Dower founded in San Francisco, and suggested that he stage a production in which actors tell stories verbatim.