The Berkeley Beacon

Thursday, November 23, 2017

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What to watch during the snow day

Nothing warms a snowed-in college student like the warm glow of a television. Here are The Berkeley Beacon’s picks for the best way to spend your day off.

King of the multiplex: how to truly experience cinema

With hits like Guardians of the Galaxy and Maleficent raking in globs of money in 2014, that statistic seems surprising. But for anyone who goes to the movies on a somewhat frequent basis, it’s not shocking. Going to a movie theater is becoming an increasingly less desirable option.

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Morbid curiosity: Student filmmaker turns fear of death into art

Junior Alejandro Peña is afraid of death. Truly afraid; he said he can’t fly without being heavily medicated and gets anxious just watching the news. Yet with his latest film, death has become his muse.

Norman Lear speaks from experience

After changing the face of television in the ’70s through iconic shows like All in the Family, The Jeffersons and Good Times, Norman Lear recently released his latest creative endeavor: his new memoir, Even This I Get to Experience.

Band of broken dreams

For a brief period, I was Watertown Middle School’s biggest Green Day fan. But 2004’s American Idiot came out while I was in seventh grade, and I couldn’t get into it. Its mock-political premise was different from the snotty pop-punk Green Day, the band I initially fell in love with. The inherent schmaltz of ubiquitous radio smash “Boulevard Of Broken Dreams” didn’t sit well with my budding music identity.

Memory: 'a great wonder of human existence'

Poetry, as the great 20th century poet Robert Hayden once said, remains a mysterious thing, and our increasingly pragmatic and fast-paced world is often lacking in mystery. When I encounter a truly great poem, I feel that I am in the presence of something larger than myself.

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The power of passionate poetry

Carrie Rudzinski took a notebook to her senior prom. She took a notebook to a friend’s wedding. She takes a notebook with her everywhere.

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Even when life isn’t peachy, play tells kids, ‘you’re not alone’

Sophomore Michael Levine, the play's director, said he wanted the show to provide hope for kids who may be struggling with their lives at home.

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PigPen Theater Co's 'pop-up' performances pack a punch

On Tuesday afternoon, there was a gaggle of seven young men tuning instruments and perfecting harmonies in the lobby of Little Building. Their dress wasn’t distinctive, at least not at Emerson; there was a mix of peacoats, flannel, boat shoes, and ratty sweaters. More than half of them were wearing beanies. At a glance, nothing seemed out of the ordinary.

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Documentary examines photographer's life, behind her lens

Vivian Maier, who worked as a nanny, used a variety of different pseudonyms in her lifetime: V. Smith, V. Meyer, V. Mayer. She spoke in a French accent that may or may not have been fake. She moved around a lot, and each room that she stayed in was reportedly padlocked.

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Returning to the silly and smart world of Jacques Tati

When critics and magazine columnists compile a list of the greatest film comedians, the answers are always the same: Charlie Chaplin, Buster Keaton, the Marx Brothers, maybe Robin Williams or Bill Murray. But there’s one name you almost never see: Jacques Tati.

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A substantive struggle: Pub Club edits two selected student works

Sophomore Rebecca Crandall was supposed to write a story for her fiction workshop class, but she had no idea what to write about.

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For his final performance, senior comedian hits ‘replay’

Senior Chris Gillespie is exploring the unconventional interplay between music and comedy by refining his own version of B-sides: unseen sketches.

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Zach Stetson & Company embraces the awkward

Zach Stetson & Company started as one student mixing experimental tracks in the privacy of his dorm room and has evolved into a conceptual comedy performance involving masked dancers and audience-centered shenanigans.

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Wide open spaces: Tristan Sharps' art occupies abandoned buildings

Tristan Sharps does not display his visual art in galleries. He does not screen his films in theaters, direct plays on a stage, or build installation pieces for museums. Sharps inhabits abandoned spaces with dynamic multimedia work, resulting in an audience-centered, interactive approach to contemporary art.