With a musical lineup of songs by Beyoncé, Ed Sheeran, and Cirque Du Soleil, Emerson Dance Company had the crowd enthralled at its recent performance.
Each film possesses a magical, lyrical quality and quickly proved to be the perfect bedtime story for a budding adult like myself.
Emerson Shakespeare Society's “Macbeth” was inspired by the philosopher Michel Foucault and the theoretical panopticon prison.
A play-reading club founded by ArtsEmerson, aiming to revitalize Boston residents’ interest in the performing arts, culminated its first season with a brown-bag lunch.
As Merrill aged, his poetry became more explicitly autobiographical, and he became more willing to write about his life as a gay man. His battle with AIDS and growing awareness of his own mortality during the last decade of his life inspired some of his most moving lyrics.
The Bill Bordy Theater opened its doors on April 2 for the final rounds in a co-ed modeling competition that had started a week and a half prior. Freshman Zeke St. John won the contest, along with freshman Chance Liekkiö as the audience favorite choice.
"I see the role of a documentarian in the plural. I’m not against a filmmaker making a film that preaches at you. That’s just a film that I’m personally not interested in. I’m interested in the psychological inquiry, like in Hearts and Minds."
Freshman Aaron Dean Gartenberg—who colleagues described as a hard-working entrepreneur—started his own production company and media consulting business.
Though the play is written for young audiences, it offers universal lessons about friendship, creativity, and power.
"I think Emerson to a certain extent is its own bubble and isolated from the harsher realities of the outside world. I don’t know if it’s something I expected or didn’t expect. I guess you hear the stories, and you hear there are going to be some less-than-savory types in the film industry."
Campus radio station WERS hosted the 10th annual All A Cappella Live show at the Cutler Majestic Theater on Saturday, March 28.
The trope of the tortured artist came to life at Emerson last week as Signe Baumane used her drawing and animation talents to start a humorous conversation about mental illnesses.
There’s something so problematic about boiling a film’s worth down to a percentage. I’ve seen plenty of objectively terrible movies that stir something in me that a number could never represent. No movie is above critical evaluation, but plenty are above a one-size-fits-all rating system.
Fourteen short films were presented by Emerson at its annual film festival, held on March 22, and three were honored with awards.
“The movie is an opportunity to get into either the skin of someone who looks like you or someone who doesn’t,” said Simien. “It’s nice when white people can see themselves as black characters. That’s the power of storytelling.”